Master Movie Download Filmyzilla, Khatrimazafull, Movieswood, Filmyhit, Vegamovies, Filmymeet

Master Movie Download Filmyzilla, Khatrimazafull, Movieswood, Filmyhit, Vegamovies, Filmymeet

Master Movie Download Filmyzilla, Khatrimazafull, Movieswood, Filmyhit, Vegamovies, Filmymeet – Lokesh Kanagaraj is the writer and director of the 2021 action thriller Master, which will be released in the Tamil language. It was co-produced by S. S. Lalit Kumar and Jagadish Palanisamy under Seven Screen Studio and was produced by S. Xavier Britto under his first production company, XB Film Creators. Vijay and Vijay Sethupathi play the key parts in it. Supporting actors include Malavika Mohanan, Andrea Jeremiah, Arjun Das, Shanthanu Bhagyaraj, Gouri G. Kishan, and others. In the movie, Vijay Sethupathi plays the vicious mobster Bhavani, who exploits the kids as a scapegoat for his illegal activities, and J.D. (Vijay), an alcoholic professor who accepts a three-month teaching position in a children’s home.

Master Movie Download Filmyzilla, Khatrimazafull, Movieswood, Filmyhit, Vegamovies, Filmymeet
Master Movie Download Filmyzilla, Khatrimazafull, Movieswood, Filmyhit, Vegamovies, Filmymeet

Master Story

A college professor visits a prison for young offenders and fights the ruffian who is using them to advance his criminal enterprise.

Master Cast

Joseph VijayJohn ‘JD’ Durairaj (as Thalapathy Vijay)
Vijay SethupathiBhavani (as Makkal Selvan Vijay Sethupathi)
Malavika MohananCharulatha ‘Charu’ Prasad
Arjun DasDas
Shanthnu BhagyarajBhargav
Andrea JeremiahVaanathi
NassarJD’s Mentor (The College’s Founder)
Azhagam PerumalPrincipal Ambaiya Samuel (as M. Alagan Perumal)

Master Crew

Directed byLokesh Kanagaraj
Screenplay byLokesh Kanagaraj
Rathna Kumar
Story byLokesh Kanagaraj
Produced byS. Xavier Britto
S. S. Lalit Kumar
Jagadish Palanisamy
Dialogue byLokesh Kanagaraj
Pon Parthiban
Rathna Kumar
CinematographySathyan Sooryan
Edited byPhilomin Raj
Music byAnirudh Ravichander
Production companyXB Film Creators

Master Review

Like every good director, Lokesh Kanagaraj is aware that a villain must be dreadful in order to transform a protagonist into a hero. Because of this, he introduces his nemesis Bhavani (Vijay Sethupathi) in the opening scene of Master. The wealthy individuals who killed Bhavani’s family sent him to an observation home, where he grew up to be the very type of monster that the system is designed to prevent young people from becoming. Lokesh even appears to have horns in one clip! And by utilizing young people as pawns to set up his criminal enterprise, he takes advantage of the exact system that has made him successful.

This nicely prepares the scene for Vijay’s JD, the main character, to enter. In fact, in true masala movie style, JD is introduced right after a character muses on the possibility of finding a brave man to intervene and prevent the youngsters from leading a life of crime.

JD teaches at a university in Chennai; he is the kind of professor who always has a hip flask in his pocket, a piece of wisdom on his lips, and a kada in his arm ready for a punch! Naturally, the administration wants to get rid of him because the students love him so much. He then decides to apply for a teaching position at the observation home, where Bhavani is in charge.

Can this man, who has succeeded in winning the hearts of children by his love, overcome the demons of his past and summon the strength to confront the criminal who has won the hearts of children through his fear?

Similar to Petta, Master features a new-age director making an attempt at mainstream cinema with a mass hero. Even though Master is more of a Vijay film than a Lokesh Kanagaraj film, Lokesh Kanagaraj passes the test. Lokesh contributes his filmmaking talent to the project. The visual tones used in the moments starring the hero and the villain are distinct: cool blues for JD and scorching reds for Bhavani. There are other interesting images, such as an above view of the prison with JD in the area with sunlight and darkness. With clever allusions to Vijay’s earlier songs, he is able to enhance the aura surrounding his star.

An excellent nod to Ghilli is a kabaddi scene that takes place inside the children’s house (Anirudh’s usage of the Ghilli theme is reminiscent of Darbar’s strategy in a similar vein). A reference to the well-known Thuppakki scene is made during the pre-intermission sequence.

However, the movie feels less punchy than it does on paper for some reason. The plot points occasionally feel overly familiar, such as in the pre-intermission scenes where you can predict the punch that will start the break (a nod to Thuppakki) or in the clichéd scene where the villain attacks the hero’s loved ones after being rattled (again, a nod to Thuppakki). The action scenes, which were a feature of Lokesh’s prior movies, are a little bit too drawn out in this one.

There isn’t much excitement in one scene where JD and his former classmate Vanathi (Andrea) are using a bow and arrow. You merely need to take a peek at a comparable nighttime pursuit in the director’s earlier movie, Kaithi, for comparison.

In addition, the movie drags for far too long, with JD’s college scenes providing few satisfying emotional highs. Although it may seem savvy to skip JD’s flashback (especially given the already lengthy running time), the reason for his alcoholism has to be addressed clearly given the song and dance the movie makes about it. In this episode, there are a ton of supporting characters, but they are hardly noteworthy (actors like Andrea, Shanthnu, Gouri Kishan, and Sriman just briefly appear). Even Malavika Mohanan’s Charulatha, the female lead, lacks presence.

In the end, it is Vijay and Vijay Sethupathi’s dynamic performances that keep us cheering. Vijay dances flawlessly and makes excellent use of his coolness in the college sequences. Additionally, he is able to sell the situations in which he must give advice. These passages could have come off as preachy with other heroes, but they fit perfectly here. Vijay Sethupathi also succeeds in stealing the show.

Even while it is tonally different from the great intensity with which Mahendran plays the character’s teenage self, his casual acting approach only serves to highlight Bhavani’s brutality. There are a few exciting moments in the actors’ final confrontation, which helps the movie come to a satisfying conclusion.

Master Trailer

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